Pure B-movie trash, which is fine because that's precisely what it aims for: bloody, crass, awesome. It was an inspired choice, because "Spirit of Vengeance" was exactly as nutty as you'd hope a PG comic book movie would be. Shame that it was apparently stressful enough to break up the tandem of Mark Neveldine and Brian Taylor. A lot of folks like to complain that all superhero movies are the same.
But this was actually a pretty good World War II movie, too. Plot-wise, it never really adds up to anything, but the strength of the cast and the bizarre world they explore more than make up for it.
It's an absolutely serviceable little piece of entertainment, and there's a lot of novelty in its overall strange vibe.
But after years of delays and reshoots you can definitely feel the hand of the focus group a bit too much. Beloved nerd Guillermo del Toro took over for this one and ramped everything up to More vampires, more blood, more people getting sliced up -- and of course baddies whose jaws can split open and swallow a person's head whole. Disney Animation Studios made a Marvel movie, and it's really sweet. Sure, it's the kiddie version of Marvel, but that doesn't prevent it from being a wholly satisfying experience.
An improvement on the first film, and an absolute delight from moment to moment -- but it never quite coalesces into a coherent whole because so many subplots distract from the core story and rob it of its emotional impact.
Would be a top 5 comic book movie if it had just reigned in the plot. It was Robert Downey Jr. This movie is, frustratingly, far from perfect. In the modern wave of superhero movies was still in its infancy, and Ang Lee -- still the best filmmaker to do a comic book movie -- got experimental with "Hulk.
It didn't sit well with audiences, but "Hulk" remains one of the most compelling and interesting Marvel movies to date. This was, like, just a legitimately enjoyable melodramatic action movie. Sure, it turns into a video game boss battle by the end, but for most of its running time it's just an actual movie.
Whereas the previous "Punisher" movie was melodramatic and contemplative, this one is just murderous. And it's awesome. How can anybody resist the pull of Tom Hardy doing comedy?
This movie knows exactly what it's trying to be, and what it's trying to be is dumb and fun and nothing else. And it is extremely fun. Its time travel logic is a bit iffy, but "Days of Future Past" is still tremendously entertaining because, while epic, it's not overly serious. As "Back to the Future" taught us long ago, you can get away with a lot of logical leaps if you strike the right tone. Who knows what was going on in this movie, but it was almost OK anyway.
In the angsty and angry times we live in, "Deadpool" is perfect. Aggressively violent and flippantly meanspirited, it's the exact emotional release we needed. The main series "X-Men" movies have never achieved any sort of greatness, but at least "Dark Phoenix" ends the whole thing with one of the best efforts of the bunch.
And that sequence on the train in the third act is easily the best action sequence of these movies. Dude goes all the way out in this. The first "X-Men" movie that could be described as "fun. There's some amount of "bit off more than they could chew" with this one because there is so much stuff we've never heard of that needs explaining -- the classic origin story problem. But the action is unbelievable, and probably the best and most interesting we've seen in the MCU in that regard.
If they can hold on to director Destin Daniel Cretton I bet the second movie, unburdened from those standard first movie issues, is gonna rip.
Not quite the best "Spider-Man" movie, but still an absolute delight, with a cast full of scene stealers. Michael Keaton as the Vulture makes for one of the best Marvel villains ever.
While you may get whiplash from the "Deadpool" sequel's occasional very serious and emo scenes, the rest of the movie is thoroughly delightful, somehow managing to be even funnier -- and more hilariously violent -- than the original.
Use of her Healing Field should be part of her overall strategy, as well as building the Hyper Combo gauge to maximum. Marvel vs. Capcom Wiki Explore. Main Games Marvel vs. Capcom: Infinite Ultimate Marvel vs. Capcom 3 Marvel vs.
Capcom 3: Fate of Two Worlds Marvel vs. Capcom 2: New Age of Heroes Marvel vs. Street Fighter X-Men vs. Lists Marvel vs. Capcom 3: Fate of Two Worlds move list Marvel vs. Capcom: Clash of Super Heroes move list Marvel vs. Capcom 3 move list Marvel Super Heroes vs. Street Fighter move list Marvel vs. Capcom: Infinite move list. Recent blog posts Leaderboards Rules.
Explore Wikis Community Central. Register Don't have an account? Edit source History Talk 5. Better leave while I can still hold Dark Phoenix at bay. Lawrence and the other First Class cast members may have returned to support Kinberg, but Lawrence may have also pushed for a limited role, forcing them into killing her. No matter how promising the setup, Dark Phoenix fumbles the execution of Mystique's death.
The movie doesn't necessarily rush to get to that point in the story, but rather clumsily handles the scene itself once it arrives. Mystique walks up to try and calm down Jean who is in the middle of a breakdown , and they only exchange a few words before Jean throws Mystique back into a pile of rubble. If an audience member isn't sure of what just happened, the reactions of Professor X and others make it clear. Oddly, Dark Phoenix doesn't communicate that visually; it is only after a series of cuts and close-ups of the actor's faces that Dark Phoenix reveals Mystique is impaled through the chest.
It's possible Kinberg couldn't show that much of what happened to her due to the MPAA and wanting to keep the movie PG - similar to how the MPAA initially deemed Phil Coulson's death in The Avengers as too gruesome to show in a PG film - but comes across as trying to hide her fate for added shock value.
After all, Lawrence is one of the biggest actresses in Hollywood, so killing a character she's played three times before in the first 30 minutes would typically take audiences by surprise and be impactful regardless of how it was handled. Yet that handling of this scene - not helped by the marketing team teasing the death for months prior to release - robbed it of any real shock or emotional value. Even if Mystique's death was hidden from the marketing and better executed in the moment, there would still be the issue of the lack of impact it has.
Dark Phoenix tries to show how the death affected various members of the X-Men, but most of the resulting story threads don't go anywhere: Cyclops and Storm momentarily do not agree; Professor X's handling of Jean's mind in the past is questioning; the kids at Xavier's School for Gifted Youngsters briefly mourn but don't even get to attend the small funeral; and Jean quickly cares more about controlling her power than struggling with what it enabled.
Beast is the most upset and, when the rest of the team doesn't feel his anger, he goes to join forces with Erik. The two of them have a shared love for Mystique, and it doesn't take much from Beast to convince Magneto that Jean needs to die. All of this is used to set up the film's second act fight as Charles, Cyclops, Storm, and Nightcrawler try to save Jean, while Magneto, Beast, and a new, smaller Brotherhood tries to kill her.
0コメント